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Emmanuel Cooper's classic guide to making glazes is now available in a thoroughly revised new edition. Cooper provides potters with an introductory section on glaze materials, coloring, mixing, and the application of glazes, as well as information on heal ...

With several new or expanded chapters covering Oriental glazes, Islamic lusters, ...

Traditionally potters fired their work either at low temperatures, as for earthenware, or at the high temperature that stoneware requires. However, a growing number of potters, particularly those who use electric kilns, are firing to a middle-range temper ...

A growing number of ceramic artists now choose not to glaze their work. Instead, they use an unglazed--naked--surface to express their ideas and concerns. From slips and terra sigillata to burnishing, engobes, oxide washes and additions to the clay body, ...

Now available in its fifth edition, The Potter's Dictionary of Materials and Techniques presents a comprehensive survey of all aspects of making ceramics for craft potters and ceramic artists. With its sound, practical explanations of ceramic proce ...

Any real education in ceramics must involve, from the outset, an appreciation of the source materials--the rocks around us. While good, throwable clay may be a regional commodity, there is no part of the world that will not yield potential glaze materials ...